EvilPhoEniX

French gangster-flick master Olivier Marchal shot a series on his favorite theme, the world of drug gangs, a genre where he feels at home, so it's exactly what the viewer expects. Although it does not reach the peak of his other works and does not attempt a groundbreaking story, the cards are quite clearly dealt, but those who are not tired of these tough gangsters from authentic France will certainly not be disappointed. Marchal has not disappointed me yet, and it didn't happen this time either. We have tough cops who are not afraid to get their hands dirty, they go from one trouble to another, and the viewer will like them. On the other hand, there are also two drug gangs. In one them there’s Murillo with the Indian and in the other there is Ali-Arab from Dubai, who comes to Marseille to take over the city. For me, it is the best character of the series, an incredible dude, a typical gangster, a role perfectly tailored. The only thing that annoyed me was that he didn't get more space, especially in the last two episodes, which was a shame. I liked that the series doesn't waste time with unnecessary side characters, we either follow the police or the gangsters, so boredom is definitely not a threat, and I appreciate that there is no unnecessary filler. Each episode contains one prominent French track, which was always great. Technically, of course, it's top-notch, the action is raw and uncompromising, but there isn't much of it, I definitely expected more, and in the last two episodes, when it should have kicked into high gear, it slightly falls behind instead, and there is no big action finale, which is a minus. But I watched the series in one go, it's my favorite theme, one I don't easily get tired of, so I had a great time, but I didn't sit on the edge of my seat. 7/10.

An enjoyable feel good genre film from high school. It lacks proper humour, but is likeable, lively, nicely shot and fast paced. The girls start a fight club in high school and get they beat each other up. There are a lot of lesbians, but the characters are fine, the soundtrack is good and the final fight with the football players on the field is great. It was also unexpectedly suspenseful at times, so I'll give it a weaker four stars. I had an unexpectedly good time, plus I miss these comedies from high school and I don't think there was a better one this year. 70%

A new short story anthology based on the myths of Latin America, featuring some of the best Latin American filmmakers, but unfortunately I found it mediocre. The police break into a house in El Paso and find a pile of dead people with one survivor who is taken to the station and questioned. He tells various horrific stories about his life, and that's the main connecting story. The second story is about a man who opens a portal to the underworld, and there's a really disgusting demon. This one was handled by the famous Demian Rugna, who knows how to work with gore and make-up effects. After the recent When Evil Lurks, I was expecting him to grind me again, but besides the demon, the story didn't offer anything particularly interesting. Better average. The third story is about a vampire who enjoys a night of killing people on Halloween, only that he forgot that it dawns an hour earlier due to the daylight savings time change. It's presented in a comedic style and it's quite funny, there's also some gore, so it's better than average. It was directed by Eduardo Sánchez, who has done The Blair Witch Project and Exists. The fourth story is the closest to Mexican folklore. A CIA informant falls captive to shamans and indigenous people and it features an interesting ritual. The setting and the make-up effects are nice, there’s a bit of mythology and it feels like the Mexican version of The Wicker Man, but again the potential was higher. This was shot by Gigi Saul Guerrero, who has Barbarous Mexico to his credit. The fifth story is again in a comedy style, where a boyfriend wants to kill his ex-girlfriend who is possessed by a demon. It's kind of a fight between the two where a even giant wooden dildo is used. It's by director Alejandro Brugues (Juan of the Dead), but I found it to be the weakest and least interesting. The ending climaxes with El Muerte arriving at the police station, where a bloody shootout ensues, and it's a pretty nice climax, but it doesn't elevate this anthology to above average. There's a bit of humor, blood and Mexican mythology from everyone, but I wouldn't give any story more than 4 stars. 55%